Saturday 25 January 2014

Return of the White Leopard

Lobert and Liz as seen by
the White Leopard in '52
I unpack the two books and place them carefully on the dining room table. 

The Asian Wall Street Journal described A Woman of Bangkok as ‘Among the ten finest novels written about Asia.’ They were right. It’s superbly realised fifties urban Bangkok – from both a Western and Thai POV – describes a lost world of dance halls, ticals, squalor and ‘Lobert’ Taylor starring in Ivanhoe. Vilai the White Leopard is memorably immoral; sixty years on, her casual subversion of popular Buddhist values for her own ends is uncannily modern.  


1985 edition Duang Kamol
 My dog-eared copy of A Woman of Bangkok was lost in the floods in Ayutthaya along with so much else. Sad to report the cover for the 2012 reprint by Monsoon Books no longer features the striking fifties- style pastels artwork I really liked. Instead a sultry black and white woman stares back at the reader, in admonishment it seems to me. One thing the reprint does have over my old copy are the notes on the author, Jack Reynolds. I don’t remember these in the earlier edition. What an amazing character Jack was. How I wish I could have met the guy and shot the breeze with him over a couple of cold beers. 

Oh, yes, and Penguin have also reprinted Mason’s The World of Suzie Wong. I well remember the film version, starring William Holden as the American artist. Watched it as a teenager. Never read the book, though. The cover art for the reprint is wonderfully retro. I don’t know anything about fifties Hong Kong from a ‘yum-yum’ POV so It will be interesting to read this and compare to my thrice-read copy of Gweilo, Martin Booth’s beautifully written account of his time in British HK when he was a schoolboy.

Infamous Nam Kok Hotel in HK
A Woman of Bangkok, Suzy Wong and Gweilo all played a big part in helping me decide what sort of a novel I didn’t want to write – yet another bargirl book set in Pattaya. Instead I’ve tried to paint something much more interesting: a speculative but coherent Thai canvas with a heavy dose of retro noir, Zen and dark comedy. Mind you, that doesn’t mean to say there isn’t a White Leopard or two lurking the shadows.

Meanwhile, as I post this, I am looking at the two books on the table. Crisp; unopened; unread – inviting me into their worlds.

Wonderful.   
 
 
 

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